Lapad, 2016/17
In the paintings of the Lapad series, which is in the spatial gesture of a brush and impression of the vertical segments of the landscape (compositions on the black metal plates), colours and tones are left to change and to coalesce with the corrosion of the metal surface.
Lapad, 2016/17
U slikarstvu ciklusa Lapad, koje je u prostornoj gesti kista impresija vertikalnih segmenata krajolika (kompozicije na crnim metalnim pločama) boje i tonovi su prepušteni mijeni i srastanju s korozijom svoje metalne podloge.
